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All responses Most smiled responses
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Wow it's really a toss up between ancient Egypt and the late Victorian era.
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Imagine FX hands down. But then again that would be my art and not me.
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I use Painter 11 for all my paintings. My work is 100% digital and I use custom brushes.
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One. I went to Quintana Roo Mexico in 2007 to the Mayan Riviera.
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Toothless from How to Train Your Dragon
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I recommend looking through the info provided by Tara Reed over at http://www.artlicensinginfo.com/
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There's no cut and dry answer for this. Pricing depends on alot of factors like how long your art takes you to make, how "in demand" you are, the project time frame, rights being purchased etc. For my price structure I researched what others creating similar art charged and what I felt my skills and time were worth. I usually ask the potential client what the project budget is and try to work out an illustration package for them based on that. Sometimes it's just not possible but most of the time it is.
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I recommend reading the PEG's book first, it's the essential handbook for Graphic Artists http://www.graphicartistsguild.org/handbook/ After that I recommend searching the internet for things you want to know more about. There's a wealth of knowledge out there. You can also join groups related to the field you want to work in and go to industry events, conferences and conventions.
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There are two types of art licensing. One is when you make a collection of designs and grant the right to make them into products to manufacturers. The other way is when a company contracts you to make something for them and you grant them the right to use the work you created for them .
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She's actually a Korat like our own studio kitty Crash the Stampede.
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Imagine FX, the only mag I currently read.
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Alicia Kat Dillman’s Bio
Author, Illustrator, historical re-enactor, cat lover and owner of 7 overfull bookcases. My YA debut Daemons in the Mist just came out.


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