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All responses Most smiled responses
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First answer: I don't know. Where is it? Maybe if you look within you'll find it and be able to love again.
Second Answer: Home? -
Awww thank you so much. It's all in the shea butter.
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Maybe one day we'll hold hands then.
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Actually I am part Gypsy and I do travel so I'm not quite sure where this question is coming from.
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I can't even begin to answer that. I have so many amazingly talented friends that it would be unfair to pick just one.
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I feel it's important to support others art. Just because I'm an artist does not mean I don't support my fellow painter and the same can be said for my fellow art editors, writers, publishers, etc. If I promote something on my website or attend an event it means I am a fan of it and enjoy it. A lot of what my friends and acquaintances do is quite different from Constellation and we're all here to support each other.
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Most of the people I have chosen to be part of the deck are people I already know. A good chunk are friends and some are people I admire that i asked to be in the deck. I sometimes put out calls on twitter and facebook as well.
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Messy. This is what typically happens. I have a ton of pieces of chipboard and plastic all over the floor which serves as a palate. Since I am mainly a collage & mixed media artist I have plenty of printouts next to me in all different sizes, charcoal pencils, ink, and paint. My process is very organic. I paste down images, draw over them, paint on top of them, draw in missing parts and pieces, add textures, and cover with various glazes. It's messy, it's unorganized, it's downright frantic, but it works for me and that's all I can ask for. Basically my process is kind of like band practice. It starts off a little choppy and as the night progresses it gets more fluid, finds it's voice and rolls with the drum beats. I'm a secret drummer when it comes to painting.
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I don't kiss and tell.
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I don't have much of an attachment to the US but I like New Orleans and San Francisco, so I guess there.
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Really good coffee or a meal with good friends and excellent conversation.
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Honestly they create themselves. When I first started creating a tarot deck it was years ago and I painted maybe 5 cards and stopped. They wouldn't come to me after that. So I let the project go and now 8 years later they've decided to let me pick up again. The catch? I had to begin again. This time it was easier, I had my partner in crime Sherene Schostak writing the booklet for them. The first card I created was the Devil card and it really just started to create itself, from there the cards started to form. I couldn't even tell people what I was creating because as quick as I would spout off an idea, the card would change and transition into what it wanted to be.
For example, I actually dreamed of the High Priestess card as a snowy scene in the forest but when I tried to paint it it kept changing until I got just a simple grey background, two pillars, the high priestess, and then a crimson slash above her. It wasn't what I intended but it's where and what it wanted to be. -
Sept 2008, I believe. I was in London and these sweet punk boys would give me bouquets of flowers whenever I passed them on the street.
Wait, I may be incorrect. It might have been May 2009 when a very nice bartender in SoHo gave my friends and I all the flowers in the bar because we were both celebrating and mourning some major things. -
All the time. As long as you are being true to yourself, it's not stupid.
I take a lot of risks and then freak out about them but they almost always work out. The ones that don't I think of as learning experiences but understand down the line why they didn't work out.
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Katelan Foisy’s Bio
La Gitana. I make art, read tarot, and model for a living.


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