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Bernadette Peters, Liz Callaway and Caroline O'Connor.
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You're a dear <3
and yes you do, Anon. -
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As long as you don't buy me a flower and then EAT IT, then of course!
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THE CAT!
I need to stop making pointlessly obscure Whose Line Is It Anyway? references -
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The endlessness, I guess. Just nice and self-contained.
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Oh, I couldn't pinpoint one specific thing. Lots of things niggle at me, even if they shouldn't.
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hmm, I'm not sure.
The first name that comes to mind is Angela Lansbury, but there are many many many many others. -
You...want me to choose?
I am a fan of opening numbers. The start of The Lion King (The circle of life), the start of Ragtime (Prologue: Ragtime), Chicago (All that Jazz), Hair (Aquarius) etc. are great because they set the scene and they involve the whole cast, very often introducing them. The curtain comes up, and you see the set and it just...begins.
Hairspray the stage musical is full of great numbers from start to finish. The dance scene in West Side story is amazing if the choreography is well done. South Pacific's 'You've got to be carefully taught' or whatever it is called is one of my favourites because, despite the musical being quite old, it basically says that discrimination, especially racism, is something that one has to be taught, it is not something innate.
TL;DR: I don't have a specific favourite, and as different musicals have different numbers, it makes comparison relatively difficult. -
I use my right for mouse and a knife and musical instruments. I'm also equally crap with a cricket bat with both arms.
It is bizarre hold a mouse with my left, as you said.
Like Hangul Supremacy, I declare left handed supremacy. -
I'm a fan of Friday or Saturday.
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I've been repeating it in my head for a while and it isn't losing meaning, oddly.
(I'll drink to that?) -
In your skull, anon. Always.
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Clare Miyuki’s Bio
18, F, bored out of skull
